The aesthetic of conceptual expressionism and primal emotion. There, I’ve said it. Painted images that are more preoccupied with narrative than with formal encounter, in order to exult in childish immediacy and freedom.
Melodramatic, incongruous re-castings of contemporary mythological scenes – despite their general lack of respect for the values of our civilization. These painted emotions recount the struggle between forces of rational order and subversive irrationality.
The result in principle, is a tense integration of shrewed political sanctimony and the high culture malaise of stratified ingratitude. Images, paintings are the pretext for staging a salient conflict between contemporary existence and the inertia of tradition – usually.
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